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Code Kickoff: Part 1

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Downward Pickslanting: Further Resources

Yngwie Lesson: Get Down for the Upstroke

In “Get Down for the Upstroke”, the first lesson in our two-part analysis of Yngwie Malmsteen’s picking technique, we decipher the DWPS-driven power of Yngwie’s alternate picking approach.
In our second Yngwie lesson, Inside the Volcano, we explore Yngwie’s ingenious system for integrating alternate picking and sweeping with downward pickslanting.

What is Pickslanting?

Pickslanting — upward, downward, two-way! — is one of the most fundamental mechanics for picking mastery.
This video, from our “DWPS Pack”, provides a concise introduction to the concept. For more, check out the Cracking the Code Pickslanting Primer.

Blog Post: Down Around the World

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Here’s one of our favorite articles from the Cracking the Code blog — a great introduction to the universal power of downward pickslanting, demonstrating the power of DWPS applied to a wide variety of musical styles like rock, bluegrass, and jazz.

Guitar World Lesson: Eric Johnson’s Pickslanting Pentatonics

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This post is about the pickslanting mechanics behind Eric’s ethereal, cascading, high-speed passages, which we talk about in our Eric Johnson lesson, “Eric the Right”, and explore further in our super in-depth Masters in Mechanics seminar, “Cascade”.
This lesson examines the foundational skill of Johnson’s lead style — his ability to play two-note-per-string passages at high speed — through the mechanical lens of the downward pickslanting system.

Code Kickoff

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Welcome to the Cracking the Code “Code Kickoff” Intro Series!

We’ve created this introduction to give you an overview of what we do, and answer the question “Where do I get started?”

We have a ton of great stuff that already exists — videos, posts, and lessons — and want to make sure you haven’t missed anything! This three-part series will give you a sense of where we’ve gone, where we’re going, and what resources we have that you can dive right into.

If you’re looking for a good introduction to the world of Cracking the Code, browse the pages below:

Part 1: Introduction to Downward Pickslanting

Part 2: Understanding Motion Mechanics

Part 3: The Power of Two-Way Pickslanting

The Magnet: Smartphone Camera Mount For Guitar

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Introducing the Magnet, the camera mount that lets you use your phone to capture slow motion video of your picking, revealing movements that flash by in only fractions of a second.

Already own a Magnet? Check out our Magnet Help Page for mounting and filming instructions, as well as notes on maintainenance and upgrades.

The Magnet is Available Now

What is The Magnet?

The Magnet is a spring-loaded mount for attaching your smart phone to your guitar neck, to film your picking technique in slow motion.

Is the Magnet right for you?

The Magnet is an excellent tool for understanding picking technique, but if your immediate challenges relate more to speed and efficiency, you may not need one right now. Here’s our explainer:

What can I see with a Magnet?

Specifically, the Magnet is a tool for understanding escape motion: the type of picking motion you use for switching strings.

The amazing Olli Soikkeli filmed with the Magnet

Almost all joint motions used for fast picking have some type of built-in escape. However not all escape motions work with all phrases. The Magnet will show you which one you’re using. This can help you understand whether your challenges relate to accuracy, synchronization, efficiency, stringhopping, an escape mismatch, fretting, or more.

Why get a Magnet?

The Magnet’s signature “down the strings” framing

Like any purpose-designed tool, the Magnet makes your job easier. The Magnet positions the phone in the right spot on the neck to achieve Cracking the Code’s signature “down the strings” framing without the fretting fingers blocking the view. It allows the lens to be positioned down low, near the plane of the strings, to clearly film pick and string interaction.

The amazing Andy Wood‘s DSX wrist motion

This avoids the “high angle” problem where the camera is looking down on the strings from above, making it difficult to see which string you’re actually playing. While not necessary for diagnosing every type of issue, a “down the strings” framing is the best general-purpose view for studying your technique. And it is difficult to exactly replicate this view without a Magnet.

The Magnet’s close placement lets your phone’s microphone record valuable audio. It also lets the phone’s built-in flash work as a video light for filming even in dark rooms during nighttime practice.

Finally, it’s easy. If you’ve got your phone and a Magnet within reach, you can be filming yourself in under a minute.

Instrument Compatibility

Magnet neck width compatibility

The Magnet works on a wide range of instruments. It all comes down to neck width.

Out of the box, the Magnet can fit necks up to 77mm wide. This is wide enough for most 6- and 7-string guitars, and potentially some 8-strings provided the Magnet is mounted at a low enough fret.

For mandolins, the Magnet works best on elevated fretboards without a scroll.

With the supplied adapters, the Magnet can grip narrow-necked instruments like mandolins and banjos. However, adapter installation is permanent, and the maximum neck width is reduced to 63mm.

When in doubt, measure your neck width at the spot where you’d like to mount the Magnet.

How much technical knowledge do I need?

Setting up your phone requires only a few basic steps which quickly become automatic. But some knowledge of escape motion, and the joint motions that create it, is necessary to get the most out of the Magnet.

David Grier’s DSX technique, filmed with the Magnet

Cracking the Code pioneered the study of escape motion, but it remains cutting-edge knowledge that is not always available in mainstream instruction. You can learn about escape motion in our instructional products like the Pickslanting Primer, which includes free reference guides like this one. This explainer does not include tutorials for learning to perform escape motions — you will only find those in the paid version of the product — but this is still a great overview of how these motions work, and why they matter.

Finally, the Magnet is the ideal companion to a Cracking the Code membership. Every Cracking the Code membership comes with unlimited personalized feedback on your playing through our Technique Critique feature. With the Magnet, you’ll have all the tools you need to capture perfect footage of your technique for feedback from us.

Do I need a Magnet to film my technique?

No! Using the correct framing, supplying enough light, and choosing a high-speed video mode are critical requirements for filming your technique, Magnet or not. Here’s how to get good results with a phone, phone holder, and tripod:

Filming Your Playing

Tips for getting a good look at your technique

 

Most things you can do with a Magnet can also be done with a more traditional filming setup, just not as easily or conveniently. But lack of a Magnet is no reason to put your technique development on hold.

Will the Magnet improve my technique?

Not if you haven’t taken the most important fundamental steps first. This includes measuring your joint motions on simple tests of picking speed, then translating that speed to single-string tremolo utilizing your best-performing joint motion. This is how we start everyone in our instructional material, and these critical early steps don’t require close-up, slow motion video in most cases. And yet they are the steps that have the greatest impact on your potential for fast, efficient picking technique.

Since we concluded our successful Magnet Kickstarter campaign, we have received many questions about when the Magnet will be available. What we’ve discovered is that lots of these are coming from players struggling with precisely these types of fundamental mechanics issues — issues you can and should begin solving now, even without a Magnet. For more details on what you can do to improve your technique without a Magnet, check out this blog post.

Can I use my current phone?

Maybe. Your phone must have a high-speed 120 fps or 240 fps recording mode. Ideally this mode will allow you to choose the playback speed aftward — either normal, slow, or a mix of the two. If your phone forces high-speed clips to always be viewed in slow motion, you will not be able to evaluate the smoothness and sound of your technique, because this evaluation is best done with normal speed playback. You can always film separate normal speed video clips for this, but there is no guarantee the techniques in both clips will be the same.

Can I use my webcam?

No, the Magnet only works with phones. It’s perfectly ok to film yourself using other cameras with more traditional mounts — but not a webcam. Most webcams record at 25 or 30 frames per second, which is not fast enough for detailed slow motion. Webcam video is also usually full of noise, motion blur, and rolling shutter artifacts. This is also true for video recorded in normal-speed mode, even on modern phones. Trying to slow down blurry normal speed video very rarely lets you see anything useful.

Watch The Magnet In Action

Here’s to a new era of guitar learning for all. And of course, if you have any questions, please let us know by emailing us at support@troygrady.com!

Press

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AUGUST, 2014:

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Guitar World features the premiere episode of Cracking the Code, Season 2, “Get Down for the Upstroke”, our lesson that deconstructs Yngwie’s technique and reveals the incredible power of downward pickslanting.

AUGUST, 2014:

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A nine-page feature by Levi Clay in Issue 27 of Guitar Interactive Magazine, on the show’s genesis and background on some of the technical challenges of guitar playing. Part 1 of 2 — keep an eye out for the next issue of the magazine, where we’ll get even more technical and showcase some of our signature slow-motion footage.

JULY, 2014:

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An interview with Donnie Schexnayder of the Start Teaching Guitar Podcast, in which we discuss the history of Cracking the Code, the analytic powers of slow motion, closeup picking video (and our guitar neck camera mount that enables it), and how the techniques revealed in the show are changing the game for learning — and teaching — guitar.

JUNE, 2014:

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A post highlighting the recently-released Code Archives — and some nice words about our Steve Vai lesson as well.

MAY, 2014:

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A look at the production side of Cracking the Code, featuring discussion of our motion graphics, editing, and soundtrack creation process, and showing some of our behind the scenes material.

JANUARY, 2007:

A mention on the cover and a four page interview in the January 2007 issue of Premier Guitar Magazine. The interview contains a detailed discussion of the genesis of the Cracking the Code project, plus stills from the film. (PDF, 800KB)

DECEMBER, 2006:

Obscure cable channel reports on Cracking the Code. Well, I suppose ya gotta start somewhere. (PDF, 4.2MB)

OCTOBER, 2006:

Cool little Cracking the Code profile in the October 16th issue of Newsweek. The journalist, Jonathan Mummolo, is a guitar player and an all-around good guy. (PDF, 276KB)

About CTC TMP

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At Cracking the Code, we apply evidence-based methods to musical teaching, to help guitarists master technique and unleash their creative freedom.

We are known for our innovative teaching of picking technique — in particular, our pioneering use of slow motion video to reveal techniques used by world-class players that weren’t being explicitly taught, but absolutely should be. Along the way, we created many of the concepts and terminology that are now used by players the world over to understand and perfect their own picking technique.

On the site, you can dive into our instructional products like The Pickslanting Primer and watch dozens of interviews with world-class players. Products like the Primer are available via subscription or download, and the download version still offers lifetime access to the (frankly, superior) presentation on the site, as well as lifetime free updates. A subscription offers unlimited access to everything on the site, including all instructional products and interviews. The forum is free — all you need is a basic account on the site.

Where did all this come from? Read further for more on how Cracking the Code came to be.

Want to know who we are? Read more about us here.

Get Cracking!

You don’t need to be Yngwie or Doc Watson to be great at picking technique. Special athletic abilities and once-in-a-generation reflexes are not required. The genius of these picking pioneers is not their ability to play circles around the rest of us. It’s that they learned sophisticated techniques with nobody teaching them, and often without even being aware of it. Once you know what they know, you’ll be amazed at the things you can play.

If you’re ready to get started on your journey to smooth, accurate picking, check out our signup page. Join for free and take advantage of the forum. It’s an incredible technical resource backed by a friendly and helpful community. For access to our interviews and instructional material, we have subscription options to fit every budget level, and even a scholarship option if you need assistance:

Contact

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Links to share? Technique questions? Looking for feedback?

Sign up for an account on our site, then head to the Cracking the Code Forum. It’s a great place to talk technique, post a link to a video of your playing for feedback from the community, and get answers to your questions on music and technique.

Need to contact us directly?

Please send us an email at support [AT] troygrady [DOT] com.

Please note:

  • We can’t diagnose issues in your playing technique over email. If you have questions, our forum is the best place to talk about these things! You should also consider becoming a Masters in Mechanics member to get access to all the learning material on our site.  Our generous scholarship program is available if you have financial constraints.
  • Feel free to send us links, feedback, and other suggestions, but please don’t send us video attachments. If you’d like to share a video of your playing for feedback, the best approach is to create a Technique Critique on the platform.

Thanks!

—Troy and the Cracking the Code Team