Troy Grady

The only thing more terrifying than being chased by a guy with no head is doing justice to an American icon in animated form. So when author and historian Betsy Bradley approached us about applying our animation chops to the Headless Horseman’s famous equestrian pursuit of Ichabod Crane, we were quaking in our boots. Read More

Eddie Van Halen reinvigorated ’80s rock guitar with a double shot of blazing energy and subversive creativity. In the process, he kickstarted a kind of breathless arms race in guitar technique — a promise of stardom via innovation — that was sometimes a little like a Silicon Valley guitar bubble. But out of the melee of technical competition, something ironically straightforward actually happened: we all got better.

A particularly stunning product of the generational advance of musical technology is fusion virtuoso, and Cracking the Code viewer, Derryl Gabel. The archetypal modern lead player, his total command of the guitar’s many colors is both highly enjoyable as a listener and terribly scary as a fellow player. Derryl employs his seemingly effortless dominance of the instrument’s physical mechanics, both left hand and right, in service of an encyclopedic and endlessly tasteful command of modern jazz and fusion harmony. His blazing speed and tasty phrases have won a number of celebrity admirers, from George Lynch to Dweezil Zappa — with whom he’s set to release an album later this year. Read More

I sold mens suits in high school. Compared to the stockroom at the dollar store, the clothing business offered a far lower risk of maiming my fretting hand with a box cutter, and of course, took place at the very location I’d likely end up anyway: the mall. It was a suburban sinecure of the highest order, offering fringe benefits like girl-watching and free tailoring, while simultaneously conferring valuable life skills. Full Windsor knot anyone? To this day, I can still spot a neck size from twenty paces. Read More

The Taurus had actually been designed by Moog as part of a trio of synthesizers called the Constellation. The lower portion, operated via foot like the pipe organs of yore, would handle bass duties. The upper sections, supplied separately, would present more traditional keyboard interfaces. While the Constellation project faltered, the bass pedal section became a success on its own.  As a rock band accoutrement, its hands-free operation provided guitar-driven songs a keyboard part without, quite literally, lifting a finger.
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