This month we’re taking you on a trip to Winfield Kansas for the 2007 National Guitar Flat Pick Championships. Bluegrass is a unique world where mechanical standards, competition, and creativity work together to produce amazing players like Carl Miner. Carl won the whole thing as a teen, and placed second twice, including the year we interviewed him.
Read MoreCountry hero Albert Lee needs no introduction. He’s shared a stage with veritable pioneers of rock and roll, and his legendary ability to weave groovy, fluid lines through the changes has sent generations of pickers to the woodshed.
Steve Morse’s almost mythical musical capabilities need no introduction. Marrying blazing chops to a singular sense of hook writing creativity, his distinctive brand of rootsy American virtuosity has inspired generations of players to think outside of the pentatonic box. Read More
Steve Morse’s mind-boggling chops and peerless creativity have garnered him historical renown and captured the imagination of a generation of players.
His one-note-per-string alternate picking technique is one of the most magical in all of rock guitar. But behind the technique lies an amazing mechanical solution. In this interview, we not only witness the magic — we discover how it actually works.
What if you could take Yngwie’s mastery of sequenced ideas and apply it to Eric’s signature pentatonics using downward pickslanting? Well, now you can!
Yngwie’s mastery of sweeping and Eric’s alternate picking approach give us two great solutions to ascending pentatonic fours!
We recently gave Cracking the Code viewers a cool homework assignment: find a way to play ascending fours, against the pentatonic scale, using the Yngwie Malmsteen and Eric Johnson downward pickslanting system. It seems simple enough, but it’s something we don’t see very often on guitar, and for good reason — the picking and fingering can both pose challenges.
With a basic understanding of downward pickslanting mechanics, though, we can design a couple of really nice solutions to this problem that pay fantastic creative dividends.
In this lesson, we explore solutions to the daunting challenge of pentatonic fours — utilizing the DWPS system that you already know — that will help unleash your creativity with pentatonic, whole tone, and diminished sequence ideas.
Check out the complete lesson — including tablature — on Guitar World!
To grab the slow-mo video and tabs, just sign up for our mailing list and we’ll send you a free download!
This is something we’ve been wanting to do for a long time, and we’ve finally figured out a great way to do it! We’re working with Printful, an on-demand printing company with awesome ecommerce integration.
Three styles to choose from, one rocking Cracking the Code logo!
We have three styles to choose from. They each incorporate the awesome Code logo — the ultimate evocation of mechanical-meets-musical! — and are designed like a concert tee. Each shirt you buy helps support production of the show.
We have two styles of the short-sleeve tee. One is 100% cotton, which won’t stretch and won’t dramatically shrink when you wash it, and is a slim- to moderate-fitting shirt. The other is a premium tri-blend (polyester + cotton + rayon). It’s lightweight, a bit stretchy, and super-soft, like an old vintage tee, and is more of a charcoal than a pure black. Finally, we have a long-sleeve version of the 100% cotton tee. These are all American Apparel shirts so if you’ve worn them before you know what to expect!
You can order as many as you like, in any size, short- or long-sleeved. Click the links below to take a look!
UPDATE: We don’t currently have the t-shirts for sale, but will try to get them up in the new store soon!
In the first three episodes of Season 2 of Cracking the Code, we spent a lot of time understanding the downward pickslanting system of Yngwie Malmsteen and Eric Johnson. And now it’s time to put that understanding to the creative test!
Yngwie is famous for his mastery of sequenced ideas, like fours. Eric Johnson is famous for his mastery of the pentatonic scale. And if we join these two aesthetics, we can do something really awesome: ascending pentatonic fours. There’s actually a really simple way of playing this that fits perfectly with the Yngwie and Eric picking system we’ve outlined so far. It sounds great, it’s easy to do…and we’re not going to tell you how to do it. And that’s because you are going to tell us!
If you can figure out the picking pattern to ascending pentatonic fours, we’ll give the first five correct responses a free Masters in Mechanics subscription. Watch the video above to learn more!
UPDATE: After 80+ responses in < 24 hrs, we've closed the contest. Contest aside, though, this is a great practical exercise in the power and flexibility of pickslanting — a homework assignment that will add an awesome pattern to your arsenal. We encourage you all to give it a try!
The Masters in Mechanics interview with the amazing Marshall Harrison features a detailed investigation of his sweep and hybrid picking wizardry, harmonic inventiveness, and blazing speed.
It includes 25 slow-motion examples with tablature, and over 20 minutes of awesome behind-the-scenes warmup and jamming footage. The interview is complemented by over 40 minutes of our trademark in-depth analysis.
The Marshall Harrison Interview includes:
Two ways to watch the full interview:
Our latest Masters in Mechanics seminar, “Cascade”, is an incredible 6-hour investigation that explores the ethereal guitar genius of Eric Johnson.
Along the way, we completely demystify his flowing multi-position pentatonic wizardry, glittering harmonic arpeggios, use of downward pickslanting, sweeping, the “bounce technique”, and more. We go frame by frame through his landmark 1988 Austin City Limits Performance to analyze numerous signature phrases, and take a special look at his two classic instructional videos, Total Electric Guitar and The Fine Art of Guitar.
Cascade features:
Two ways to watch the complete seminar:
Entries are now closed! Thanks so much to everyone who stopped by. Stay tuned for future giveaways!
Cracking the Code is giving away — not one, not two, — but FIVE subscriptions to Masters in Mechanics.
Masters in Mechanics already includes 12+ hours of video investigation, hundreds of slow-mo clips and tablature, and pages and pages of performance notes. Here’s your chance to get it all!
To enter, drop us your email by midnight EST April 5, 2015. We’ll select and notify the five winners by the end of April.
Note that entering the giveaway signs you up for our mailing list, but we don’t send newsletters often, and when we do they often include all kinds of fun freebies. Of course, if you’re already on our list you can still enter above!
Good luck, and we look forward to seeing you in Masters in Mechanics!
