Description
The Pickslanting Primer is Cracking the Code’s comprehensive guide to developing clean, accurate picking technique.
It is evidence-based, derived from our groundbreaking slow-motion interviews with celebrated players. These interviews revealed, in some cases for the first time anywhere, the remarkable mechanical adaptations that great players make to get from one string to another with a pick. In doing this work, we standardized concepts like escape motion and pickslanting, which practically redefined how picking technique is understood, studied, and taught. If you’ve heard these terms in use, they were created here.
The techniques in the Primer are continually tested and updated through extensive Technique Critique teaching with awesomely dedicated learners from around the world. In the Primer you’ll learn about:
- Unlocking your true maximum efficiency and speed
- Synchronizing your picking and fretting hands
- Using escape motion for clean string changes
- Joint motions and their unique capabilities
- The influence of mechanics on musical vocabulary and improvisation
- Famous players and how their techniques work
- Mechanics for specific musical styles, from bluegrass to metal
For detailed section and lesson listings, for the Pickslanting Primer, you can browse the Primer itself right on the site. And note that when you buy the download product, you’ll be able to view all the videos and musical examples here on the site, too, for added convenience.
The Pickslanting Primer is updated continually and those updates are free for life, no matter how long ago you purchased your copy, and no matter what price you paid for it.
Note that Primer purchases do not include Technique Critique evaluation by the Cracking the Code teaching staff. You’ll need a subscription for that, but you can simply sign up for a month whenever you’re ready for that evaluation, using your existing Cracking the Code account.
Here's an overview of what's included with the download. For more detail, check out the platform page!
Getting Started
| Title |
| Getting Started With The Pickslanting Primer |
Choosing A Pick
| Title |
| Choosing A Pick With The Rule Of Roundness |
Choosing A Pick Grip
| Title |
| Minimal Effort Pick Grip |
| Alternative Pick Grips |
Core Concepts
| Title |
| Chapter 1 - Alternate Picking |
| Chapter 2 - Stringhopping |
Motion Mechanics
| Title |
| Chapter 1 - Identifying Wrist Motion |
| Chapter 2 - Identifying Elbow Motion |
| Chapter 3 - Identifying Forearm Motion |
| Chapter 4 - Identifying Finger Joint Motion |
Testing Your Motions
| Title |
| Chapter 1 - Testing Your Speed |
| Chapter 2 - Testing Van Halen-Style Wrist Motion |
| Chapter 3 - Testing Di Meola-Style Wrist Motion |
| Chapter 4 - Testing Elbow Motion |
| Chapter 5 - Testing Forearm Motion |
Escape Motion Fundamentals
| Title |
| Chapter 1 - The Problem of String Switching |
| Chapter 2 - Single Escape Motion |
| Chapter 3 - Double Escape Motion |
| Chapter 4 - Circular Escape Motion |
| Chapter 5 - Joint Motions and Escape |
Escape Motion In Use
| Title |
| Chapter 1 - Switching Strings With Even-Numbered Groupings |
| Chapter 2 - Odd-Numbered Groupings With Double Escape |
| Chapter 3 - Escape Motion Picking Styles |
Escape Motion And Pickslanting
| Title |
| Chapter 1 - The Garage Spikes Problem |
| Chapter 2 - Pickslanting And Escape motion |
| Chapter 3 - Pickslanting vs Edge Picking |
Primary Motion
| Title |
| Chapter 1 - What Is Primary Motion? |
| Chapter 2 - Primary Motion And Speed |
| Chapter 3 - Primary Motion And Musical Vocabulary |
| Chapter 4 - Speed and Learning New Motions |
Primary Motion Tests
| Title |
| Chapter 1 - Determining Your Primary Escape |
| Chapter 2 - Evaluating Primary Escape Test Results |
Choosing A Technique
| Title |
| Quick Start Guide To Choosing A Technique |
Evaluating Your Technique
| Title |
| Chapter 1 - Efficiency And Physical Effort |
| Chapter 2 - Efficiency And Speed |
| Chapter 3 - Efficiency And Loudness |
Techniques By Player and Genre
| Title |
| Chapter 1 - Emulating A Specific Player |
| Chapter 2 - Picking For Rock And Metal |
| Chapter 3 - Picking For Jazz |
| Chapter 4 - Picking For Bluegrass |
| Chapter 5 - Picking For Gypsy Jazz And World Acoustic |
| Chapter 6 - Picking For Classical Mandolin |
Introduction To Tremolo
| Title |
| Starting With Tremolo |
Reverse Dart Wrist Motion
| Title |
| Chapter 1 - What Is Reverse Dart Thrower Motion? |
| Chapter 3 - Doing The Reverse Dart Motion |
| Chapter 4 - Following the Wrist Path |
| Chapter 2 - Pickslanting For Double Escape |
| Chapter 5 - USX Form And Motion |
| Chapter 6 - When To Use DBX Form |
| Chapter 7 - When To Use USX Form |
| Chapter 8 - USX vs DBX Style Comparison |
| Chapter 9 - Motion Tests On The Guitar |
| Chapter 10 - From Tapping To Picking |
| Chapter 11 - Tall Mouse Speed |
| Chapter 12 - Improving Wrist Speed |
| Chapter 13 - Improving Wrist Endurance |
Forearm-Wrist Motion
| Title |
| Chapter 1 - What Is Forearm-Wrist Motion? |
| Chapter 2 - Anchoring, Grip, and Pickslant |
| Chapter 3 - Performing FW Motion |
| Chapter 4 - The Rest Stroke |
| Chapter 5 - Muting |
| Chapter 6 - The Tracking Mystery |
| Chapter 7 - Flexed Form |
| Chapter 8 - Noise Control |
| Chapter 9 - FW Motion Smoothness |
Forearm Motion
| Title |
| Chapter 1 - Forearm Rotation |
Yngwie Malmsteen
| Title |
| Chapter 1 - Downward Pickslanting |
| Chapter 2 - Building Speed with the Six-Note Pattern |
| Chapter 3 - Switching Strings |
| Chapter 4 - Changing Direction |
| Chapter 5 - The Black Star Lick |
| Chapter 6 - The Volcano Pattern |
| Chapter 7 - Scalar Sweeping |
| Chapter 8 - Arpeggios |
| Pickslanting Primer - Yngwie Style Clips.zip |
| Pickslanting Primer - Yngwie Style Clips - Slow.zip |
| Pickslanting Primer - Yngwie Style Clips - Tablature - GPX.zip |
| Pickslanting Primer - Yngwie Style Clips - Tablature - PDF.zip |
| Pickslanting Primer - Yngwie Style Clips - Tablature - GP.zip |
Eric Johnson
| Title |
| Chapter 1 - The Five-Note Pattern |
| Chapter 2 - Pentatonic Sweeping |
| Chapter 3 - Five Notes Ascending |
| Chapter 4 - Pentatonic Sixes |
| Chapter 5 - String Tracking |
| Chapter 6 - The Straight Pentatonic Scale |
| Chapter 7 - Classic Fives |
| Chapter 8 - Pentatonic Pickups |
| Chapter 9 - Neoclassical Fives |
| Pickslanting Primer - EJ Style Clips.zip |
| Pickslanting Primer - EJ Style Clips - Slow.zip |
| Pickslanting Primer - EJ Style Clips - Tablature - GPX.zip |
| Pickslanting Primer - EJ Style Clips - Tablature - PDF.zip |
Strunz & Farah
| Title |
| Chapter 1 - Ardeshir's Upward Pickslant |
| Chapter 2 - Ascending Sixes |
| Chapter 3 - Ascending Eights |
| Chapter 4 - Rules of Upward Pickslanting |
| Pickslanting Primer - Strunz and Farah Style Clips.zip |
| Pickslanting Primer - Strunz and Farah Style Clips - Slow.zip |
| Pickslanting Primer - Strunz and Farah Style Clips - Tablature - GPX.zip |
| Pickslanting Primer - Strunz and Farah Style Clips - Tablature - PDF.zip |
John McLaughlin
| Title |
| Chapter 1 - The McLaughlin Four-Note Pattern |
| Chapter 2 - Two-Note-Per-String Patterns |
| Chapter 3 - John's Upward Pickslant |
| Pickslanting Primer - John McLaughlin Style Clips.zip |
| Pickslanting Primer - John McLaughlin Style Clips - Slow.zip |
| Pickslanting Primer - John McLaughlin Style Clips - Tablature - GPX.zip |
| Pickslanting Primer - John McLaughlin Style Clips - Tablature - PDF.zip |
Pick Design And Function Reference
| Title |
| Chapter 1 - The Classic 351 |
| Chapter 2 - The Jazz III |
| Chapter 3 - The Big 346 |
| Chapter 4 - Gauge |
| Chapter 5 - Material And Tone |
| Chapter 6 - Chirp |
| Chapter 7 - Abrasion |
Pick Grip Reference
| Title |
| Chapter 1 - Trigger-Style Grip |
| Chapter 2 - Pick Point |
| Chapter 3 - Grip Exposure |
| Chapter 4 - Thumb Overlap |
| Chapter 5 - Extended Trigger Grip |
| Chapter 6 - Angle Pad Grip |
| Chapter 7 - Trailing Edge Grip |
| Chapter 8 - Middle and Three-Finger Grip |
| Chapter 9 - Supporting Fingers |
Pick Attack Reference
| Title |
| Edge Picking |
| Angle Of Attack |
Dart Thrower Wrist Motions
| Title |
| Chapter 1 - What Is Dart Thrower Wrist Motion? |
| Chapter 2 - Reverse Dart Thrower Mechanics |
Identifying Wrist Motion
| Title |
| Chapter 1 - Identifying Wrist Motion |
| Chapter 2 - Identifying Di Meola Wrist Motion |
| Chapter 3 - Identifying Stern Wrist Motion |
| Chapter 4 - Identifying Gilbert Mixed Escape Wrist Motion |
| Chapter 5 - Identifying EVH Wrist Motion |
| Chapter 6 - Identifying Dart-Thrower Wrist Motion |
Wrist Mechanics
| Title |
| Chapter 1 - Wrist Mechanics Explained |
| Chapter 2 - The Clock Face Model |
| Chapter 3 - Clock Face USX |
| Chapter 4 - Clock Face DSX |
| Chapter 5 - Clock Face DBX |
| Chapter 6 - Clock Face Stringhopping |
Identifying Forearm Motion
| Title |
| Chapter 1 - Identifying EVH Forearm Motion |
| Chapter 2 - Identifying Gypsy Forearm Motion |
| Chapter 3 - Identifying Aldrich Forearm Motion |
Forearm-Wrist Reference
| Title |
| Chapter 3 - The Downstroke Sweep |
Identifying Elbow Motion
| Title |
| Chapter 1 - Identifying Moore Elbow Motion |
| Chapter 2 - Identifying Wylde Elbow Motion |