Description
The Pickslanting Primer is Cracking the Code’s comprehensive guide to developing clean, accurate picking technique.
It is evidence-based, derived from our groundbreaking slow-motion interviews with celebrated players. These interviews revealed, in some cases for the first time anywhere, the remarkable mechanical adaptations that great players make to get from one string to another with a pick. In doing this work, we standardized concepts like escape motion and pickslanting, which practically redefined how picking technique is understood, studied, and taught. If you’ve heard these terms in use, they were created here.
The techniques in the Primer are continually tested and updated through extensive Technique Critique teaching with awesomely dedicated learners from around the world. In the Primer you’ll learn about:
- Unlocking your true maximum efficiency and speed
- Synchronizing your picking and fretting hands
- Using escape motion for clean string changes
- Joint motions and their unique capabilities
- The influence of mechanics on musical vocabulary and improvisation
- Famous players and how their techniques work
- Mechanics for specific musical styles, from bluegrass to metal
For detailed section and lesson listings, for the Pickslanting Primer, you can browse the Primer itself right on the site. And note that when you buy the download product, you’ll be able to view all the videos and musical examples here on the site, too, for added convenience.
The Pickslanting Primer is updated continually and those updates are free for life, no matter how long ago you purchased your copy, and no matter what price you paid for it.
Note that Primer purchases do not include Technique Critique evaluation by the Cracking the Code teaching staff. You’ll need a subscription for that, but you can simply sign up for a month whenever you’re ready for that evaluation, using your existing Cracking the Code account.
Here's an overview of what's included with the download. For more detail, check out the platform page!
Getting Started
| Title |
| Getting Started With The Pickslanting Primer |
Before You Test
| Title |
| What Is Alternate Picking? |
Take The Tests
| Title |
| Chapter 1 - Testing Your Speed |
| Chapter 2 - Testing Van Halen-Style Wrist Motion |
| Chapter 3 - Testing Di Meola-Style Wrist Motion |
| Chapter 4 - Testing Elbow Motion |
| Chapter 5 - Testing Forearm Motion |
Choosing A Pick
| Title |
| Choosing A Pick With The Rule Of Roundness |
Choosing A Pick Grip
| Title |
| Minimal Effort Pick Grip |
| Alternative Pick Grips |
Motion Mechanics
| Title |
| Chapter 1 - Identifying Wrist Motion |
| Chapter 2 - Identifying Elbow Motion |
| Chapter 3 - Identifying Forearm Motion |
| Chapter 4 - Identifying Finger Joint Motion |
Instructions
| Title |
| Chapter 1 - Starting With Tremolo |
| Chapter 2 - Stringhopping |
| Chapter 3 - Speed And Learning New Motions |
Reverse Dart Wrist Motion
| Title |
| Chapter 1 - What Is Reverse Dart Thrower Motion? |
| Chapter 2 - Pickslanting For Double Escape |
| Chapter 3 - Doing The Reverse Dart Motion |
| Chapter 4 - Following the Wrist Path |
| Chapter 5 - USX Form And Motion |
| Chapter 6 - When To Use DBX Form |
| Chapter 7 - When To Use USX Form |
| Chapter 8 - USX vs DBX Style Comparison |
| Chapter 9 - Motion Tests On The Guitar |
| Chapter 10 - From Tapping To Picking |
| Chapter 11 - Tall Mouse Speed |
| Chapter 12 - Improving Wrist Speed |
| Chapter 13 - Improving Wrist Endurance |
Forearm-Wrist Motion
| Title |
| Chapter 4 - The Downstroke Sweep |
| Chapter 1 - What Is Forearm-Wrist Motion? |
| Chapter 2 - Anchoring, Grip, and Pickslant |
| Chapter 3 - Performing FW Motion |
| Chapter 5 - The Rest Stroke |
| Chapter 6 - Muting |
| Chapter 7 - The Tracking Mystery |
| Chapter 8 - Flexed Form |
| Chapter 9 - Noise Control |
| Chapter 10 - FW Motion Smoothness |
Forearm Motion
| Title |
| Chapter 1 - Forearm Rotation |
Choosing A Technique
| Title |
| Quick Start Guide To Choosing A Technique |
Evaluating Your Technique
| Title |
| Chapter 1 - Efficiency And Physical Effort |
| Chapter 2 - Efficiency And Speed |
| Chapter 3 - Efficiency And Loudness |
Chunking
| Title |
| Chapter 1 - Chunking |
| Chapter 2 - Downstroke Vs Upstroke Chunking |
| Chapter 3 - Internal vs External Synchronization |
| Chapter 4 - Tremolo Fours And Sixes |
| Chapter 5 - The Final Chunk |
Testing Your Fretting
| Title |
| Chapter 1 - Fretting Diagnostics |
| Chapter 2 - Three-Note Shapes |
| Chapter 3 - Three-Note Fingerings |
| Chapter 4 - The Hammer-Pull Test |
| Chapter 5 - Roll Pattern Speed |
Hand Synchronization
| Title |
| Chapter 1 - How Synchronization Works |
| Chapter 2 - One Note Per Pickstroke |
| Chapter 3 - Detecting Errors |
| Chapter 4 - Checking The Chunk Note |
| Chapter 5 - Checking Internal Synchronization |
| Chapter 6 - Exploiting Loops |
Escape Motion Fundamentals
| Title |
| Chapter 1 - The Problem of String Switching |
| Chapter 2 - Single Escape Motion |
| Chapter 3 - Double Escape Motion |
| Chapter 4 - Circular Escape Motion |
| Chapter 5 - Joint Motions and Escape |
Escape Motion And Pickslanting
| Title |
| Chapter 1 - The Garage Spikes Problem |
| Chapter 2 - Pickslanting And Escape motion |
| Chapter 3 - Pickslanting vs Edge Picking |
The Rule of Evens
| Title |
| Chapter 1 - Switching Strings With Even-Numbered Groupings |
| Chapter 2 - Odd-Numbered Groupings With Double Escape |
| Chapter 3 - Escape Motion Picking Styles |
Primary Motion
| Title |
| Chapter 1 - What Is Primary Motion? |
| Chapter 2 - Primary Motion And Speed |
| Chapter 3 - Primary Motion And Musical Vocabulary |
Testing Your Escape
| Title |
| Chapter 1 - Determining Your Primary Escape |
| Chapter 2 - Evaluating Primary Escape Test Results |
Yngwie Malmsteen
| Title |
| Chapter 1 - Downward Pickslanting |
| Chapter 2 - Building Speed with the Six-Note Pattern |
| Chapter 3 - Switching Strings |
| Chapter 4 - Changing Direction |
| Chapter 5 - The Black Star Lick |
| Chapter 6 - The Volcano Pattern |
| Chapter 7 - Scalar Sweeping |
| Chapter 8 - Arpeggios |
| Pickslanting Primer - Yngwie Style Clips.zip |
| Pickslanting Primer - Yngwie Style Clips - Slow.zip |
| Pickslanting Primer - Yngwie Style Clips - Tablature - GPX.zip |
| Pickslanting Primer - Yngwie Style Clips - Tablature - PDF.zip |
| Pickslanting Primer - Yngwie Style Clips - Tablature - GP.zip |
Eric Johnson
| Title |
| Chapter 1 - The Five-Note Pattern |
| Chapter 2 - Pentatonic Sweeping |
| Chapter 3 - Five Notes Ascending |
| Chapter 4 - Pentatonic Sixes |
| Chapter 5 - String Tracking |
| Chapter 6 - The Straight Pentatonic Scale |
| Chapter 7 - Classic Fives |
| Chapter 8 - Pentatonic Pickups |
| Chapter 9 - Neoclassical Fives |
| Pickslanting Primer - EJ Style Clips.zip |
| Pickslanting Primer - EJ Style Clips - Slow.zip |
| Pickslanting Primer - EJ Style Clips - Tablature - GPX.zip |
| Pickslanting Primer - EJ Style Clips - Tablature - PDF.zip |
Strunz & Farah
| Title |
| Chapter 1 - Ardeshir's Upward Pickslant |
| Chapter 2 - Ascending Sixes |
| Chapter 3 - Ascending Eights |
| Chapter 4 - Rules of Upward Pickslanting |
| Pickslanting Primer - Strunz and Farah Style Clips.zip |
| Pickslanting Primer - Strunz and Farah Style Clips - Slow.zip |
| Pickslanting Primer - Strunz and Farah Style Clips - Tablature - GPX.zip |
| Pickslanting Primer - Strunz and Farah Style Clips - Tablature - PDF.zip |
John McLaughlin
| Title |
| Chapter 1 - The McLaughlin Four-Note Pattern |
| Chapter 2 - Two-Note-Per-String Patterns |
| Chapter 3 - John's Upward Pickslant |
| Pickslanting Primer - John McLaughlin Style Clips.zip |
| Pickslanting Primer - John McLaughlin Style Clips - Slow.zip |
| Pickslanting Primer - John McLaughlin Style Clips - Tablature - GPX.zip |
| Pickslanting Primer - John McLaughlin Style Clips - Tablature - PDF.zip |
Pick Design Reference
| Title |
| Chapter 1 - The Classic 351 |
| Chapter 2 - The Jazz III |
| Chapter 3 - The Big 346 |
| Chapter 4 - Gauge |
| Chapter 5 - Material And Tone |
| Chapter 6 - Chirp |
| Chapter 7 - Abrasion |
Pick Grip Reference
| Title |
| Chapter 1 - Trigger-Style Grip |
| Chapter 2 - Pick Point |
| Chapter 3 - Grip Exposure |
| Chapter 4 - Thumb Overlap |
| Chapter 5 - Extended Trigger Grip |
| Chapter 6 - Angle Pad Grip |
| Chapter 7 - Trailing Edge Grip |
| Chapter 8 - Middle and Three-Finger Grip |
| Chapter 9 - Supporting Fingers |
Pick Attack In Detail
| Title |
| Edge Picking |
| Angle Of Attack |
Introduction To Wrist Mechanics
| Title |
| Wrist Mechanics Explained |
Identifying Wrist Motion
| Title |
| Chapter 1 - Identifying Wrist Motion |
| Chapter 2 - Identifying Di Meola Wrist Motion |
| Chapter 3 - Identifying Stern Wrist Motion |
| Chapter 4 - Identifying Gilbert Mixed Escape Wrist Motion |
| Chapter 5 - Identifying EVH Wrist Motion |
| Chapter 6 - Identifying Dart-Thrower Wrist Motion |
The Clock Face Model
| Title |
| Chapter 1 - The Clock Face Model |
| Chapter 2 - Clock Face USX |
| Chapter 3 - Clock Face DSX |
| Chapter 4 - Clock Face DBX |
| Chapter 5 - Clock Face Stringhopping |
Dart Thrower Wrist Motions
| Title |
| Chapter 1 - What Is Dart Thrower Wrist Motion? |
| Chapter 2 - Reverse Dart Thrower Mechanics |
Identifying Forearm Motion
| Title |
| Chapter 1 - Identifying EVH Forearm Motion |
| Chapter 2 - Identifying Gypsy Forearm Motion |
| Chapter 3 - Identifying Aldrich Forearm Motion |
Identifying Elbow Motion
| Title |
| Chapter 1 - Identifying Moore Elbow Motion |
| Chapter 2 - Identifying Wylde Elbow Motion |
Techniques By Genre
| Title |
| Chapter 1 - Emulating A Specific Player |
| Chapter 2 - Picking For Rock And Metal |
| Chapter 3 - Picking For Jazz |
| Chapter 4 - Picking For Bluegrass |
| Chapter 5 - Picking For Gypsy Jazz And World Acoustic |
| Chapter 6 - Picking For Classical Mandolin |