Andy Wood Acoustic Interview

Masters in Mechanics

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Intro And Fiddle Tunes

Andy opens with “Whiskey Before Breakfast,” “Big Mon,” “Red Haired Boy,” and “Angeline the Baker,” moving freely between melody, improvisation, pull-offs, and arpeggiated fills.

 

Whiskey Before Breakfast

 

Whiskey Before Breakfast

 

Big Mon Pt 1

 

Big Mon Pt 2

 

Improv Arpeggios

 

Red Haired Boy Warmup

 

Red Haired Boy

 

Angeline the Baker Melody

 

Triplet Pulloffs

 

Triplet Pulloffs Long

 

Red Haired Boy Improv

 

Crosspicking Accents And Rolls

Accented fiddle lines, two-string threes, three-string rolls, dynamics, and triadic figures introduce the curved alternate-picking motion at the heart of Andy’s acoustic playing.

 

Red Haired Boy Accents

 

Two String Threes

 

Three String Rolls

 

Two String Threes Dynamics

 

Two String Triads

 

Black Mountain Rag

 

Brilliancy

 

Brilliancy B Section

 

Fishers Hornpipe

 

Fisher's Hornpipe And Pattern Variations

“Fisher’s Hornpipe,” stair-step patterns, mixed groups of fours and fives, two-note-per-string arpeggios, and “Whiskey” variations show how Andy continually reshapes traditional material.

 

Fisher Improv

 

Fisher Improv Harmony

 

Fisher Improv Arpeggios

 

Stair Steps Variation

 

Stair Steps Outside Inside Slow

 

Stair Steps Outside Inside

 

Stair Steps

 

Fours and Fives Variation

 

Fours and Fives

 

2nps Arpeggios Tk1

 

2nps Arpeggios Tk2

 

Whiskey Section A

 

Whiskey Section B

 

Whiskey Variation Tk1

 

Whiskey Variation Tk2

 

Whiskey Before Breakfast

 

Whiskey Section A Simple

 

Whiskey Section A Notey

 

Whiskey Before Breakfast Simple

 

Arpeggios And Hammer-Ons

Wide arpeggios, diminished shapes, “Jerusalem Ridge,” and staged hammer-on comparisons reveal how Andy mixes fretted articulation with alternate-picked string changes.

 

Truth And Lie Arpeggios

 

Vestal Arpeggios G String

 

Vestal Arpeggios D String

 

Vestal Arpeggios Slow

 

Diminished Arpeggios Tk1

 

Diminished Arpeggios Tk2

 

Jerusalem Ridge

 

Jerusalem Hammers Tk1

 

Jerusalem Hammers Tk2

 

Up Down Hammer

 

Up Down Hammer Stages

 

Hammer vs Pick

 

Scale Picking And Double Escape

Ascending sixes, fiddle melodies, scalar improvisation, and four-string arpeggios compare Andy’s crosspicking motion with faster single-escape solutions and legato assistance.

 

Sixes Ascending

 

Sixes Ascending Tk2

 

Sixes Ascending Crosspick

 

8th of January Melody

 

8th of January

 

8th of January Fill

 

Improv Scalar

 

G Position Improv Tk1

 

Four-String Arpeggios

Steve Morse-inspired shapes, inverted rolls, strummed arpeggios, and multiple sections of “Whiskey Before Breakfast” develop a broad family of four-string picking patterns.

 

Four-String Arpeggios Warmup

 

Morse Arpeggio

 

Four-String Arpeggios Short

 

Four-String Arpeggios

 

Circular Roll Tk1

 

Four-String Arpeggios Inverted

 

Four-String Arpeggios Strum

 

Arpeggios in the Wind

 

Whiskey Section A

 

Whiskey Section B

 

Whiskey Section C

 

Whiskey Section C Variation

 

Wheel Hoss

 

Whiskey Section C Arpeggios Short

 

Whiskey Before Breakfast

 

Whiskey Section A End

 

Whiskey Section A End Variation

 

Whiskey Section C Arpeggios Tk1

 

Whiskey Fill

 

Whiskey Fill Fiddle Style

 

Whiskey Section C Arpeggios Tk2

 

Circular Roll Tk2

 

Red Haired Variations

 

Banjo Rolls And Crosspicking

Béla Fleck-inspired rolls, pulse groupings, “Dixie Breakdown,” “Manzanita,” and alternate string crossings explore the banjo-like side of Andy’s double-escape technique.

 

Fleck Rolls Tk1

 

Fleck Rolls Tk2

 

Pulse Roll Variations

 

Forward Roll

 

Completed Roll

 

Pulse Roll

 

Pulse Roll Stairway Arpeggios

 

Stairway Arpeggios

 

Completed Roll Variation

 

Dixie Breakdown

 

Manzanita Crosspick Rotation

 

Stony Point Arpeggio

 

Alternate Crossings

 

Angeline Pickslant vs Crosspick

 

Ricky And Cal Blues

 

Rhythm, Harmony, And Dynamics

Bass-string rolls, “Pick It Apart,” bright and dark G runs, augmented colors, swing, and dynamic string-crossing patterns connect Andy’s picking mechanics to accompaniment and harmony.

 

Ricky And Cal Roll

 

Ricky And Cal Roll Inverted

 

Bass String Rolls

 

Pick It Apart

 

Pick It Apart Arpeggios Tk1

 

Pick It Apart Arpeggios Tk2

 

Pick It Apart Swing Tk1

 

Pick It Apart Arpeggios Tk3

 

Pick It Apart Swing Tk2

 

Strummy Rhythm

 

G Run Bright

 

G Run Bright and Dark

 

Improv Bright and Dark

 

Improv Bright Tk1

 

Improv Bright Tk2

 

Augmented Arpeggio

 

Alternate Crossings Pattern

 

Alternate Crossings Dynamics

 

Bluechip BC Jazz Rolls

 

Pick Grip And Tone

Different BlueChip picks, a side-finger grip, chicken-picking attacks, and G-position speed tests show how pick shape, grip, and touch alter the response of the same basic motion.

 

Bluechip CT55 Rolls

 

Side Finger Grip Rolls

 

Chicken Tk1

 

Chicken Tk2

 

Chicken Tk3

 

Chicken Tk4

 

G Position Improv Tk2

 

Foggy Mountain Breakdown

 

G Position Speed Short

 

G Position Speed

 

Jerusalem Ridge

 

Jerusalem Ridge

 

Traditional Repertoire

Performances of “Jerusalem Ridge,” “Red Haired Boy,” and related improvisations compare direct melody, Tony Rice-inspired language, and Andy’s own increasingly elaborate variations.

 

Red Haired Boy

 

Red Haired Improv Tk1

 

Red Haired Improv Tk2

 

Red Haired Improv Rice Style

 

Red Haired Improv Tk3

 

Mixolydian Crosspick Tk1

 

Mixolydian Improvisation

Crosspicked Mixolydian lines, suspended blues sounds, swing, whole-tone colors, and extended improvisation demonstrate Andy moving beyond standard fiddle-tune harmony.

 

Mixolydian Improv Tk1

 

Mixolydian Improv Tk2

 

Mixolydian Suspended Blues

 

Mixolydian Swing

 

Mixolydian Improv Tk3

 

Mixolydian Crosspick Tk2

 

Mixolydian Blues

 

Mixolydian Scale Ascending Descending

 

Mixolydian Scale Ascending

 

Mixolydian Improv Tk4

 

Whole Tone Improv

 

Red Haired Roll Interlude

 

Mixolydian Improv Tk5

 

Red Haired Boy

 

Red Haired Boy

 

Outro

Andy returns to “Red Haired Boy” for a final complete performance after the long exploration of acoustic vocabulary and picking mechanics.