As an example of what we have to do to get a great sound mix in our interviews, take a look at the above screenshot. We’re editing an interview I did with Martin Miller on improvision. He’s on guitar, I’m on keys. All in the same room. I’m going through the whole thing manually as I edit, clamping down his mic to only when he talks and only when I talk. I can’t use automatic ducking like we do during live broadcasts like the Batio thing, because he sometimes talks and plays at the same time, and so do I. Read More