About Technique Critique

Sample public critiques

A selection of real questions players have brought to the instructor team.

Cleaning Elbow Motion

The last couple of weeks, I’ve been focusing mainly on working on my alternate picking by blasting some DSX versions of the Yngwie licks from the Volcano Seminar. Despite being an elbow player, starting with an upstroke is something I’m still getting used to, especially when playing across multiple strings. My main focus right now is to get the least amount of tension possible while performing the motion. In this video, I’m playing the first part of the Ping-Pong Sixes, and I can’t help but notice some noise during the string-switching parts, along with some weird shifts in my hand/arm setup. Maybe this is an issue with tracking or my arm position on the guitar? I’d really appreciate any feedback on what might be causing these issues and what I should focus on improving.

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Fast Fretting 5/24/26

Hi! I’ve been working with the team for a while now and am checking in to get some feedback on what to keep working on. I’ve added a couple face on and picking hand videos for review. On a single string my triplets and chromatic 16ths feel better and faster and I think my picking technique is improving. My biggest struggle is the 16th not box that I’ve been practicing on adjacent strings. Example would be D string 7 to 9 then G string 7 to 9 & repeat. I’ve been stalled there for several months around 120 bpm and am not sure how to progress. It feels like my picking gets really hoppy at speed and doesn’t feel like my single string picking. It feels like I’m just stalled out here and don’t think I’ve improved in a couple months. Overall any feedback on what to do next would be really helpful. Thanks!

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Feedback on my USX motion

Hi, I paused my subscription back in April this year and just renewed it. I haven't practiced my picking motion for months and would like to resume by submitting a technique critique first. I was practicing DSX before, but recently found performing USX is easier. I recorded myself playing tremolo with USX at my current top maximum speed. I would like to know if my current technique looks okay or if there is anything I need to adjust. Thanks!

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Help me find a primary picking motion that does not cause pain

I’m looking for feedback on my picking motion, mainly from a pain-prevention standpoint. I’ve been dealing with pain on the ulnar side of my picking hand — the pinky side of the hand, around the 5th metacarpal / “boxer’s fracture” area. The pain tends to flare up after a few minutes of picking exercises. I saw a hand specialist and had an X-ray. The doctor did not see any major red flags or bone issue. He thought it may be related to old scar tissue from a previous break being irritated by certain movements. He said I probably won’t do damage by playing, but recommended occupational therapy and possibly further imaging later if the pain persists. The pain mostly went away when I stopped playing guitar for about two weeks, but it has started to come back slowly now that I’ve resumed playing. The motion that seemed to set it off was a slightly outward-rotated picking motion, almost like turning a doorknob away from the body of the guitar. That motion felt faster and more efficient at first, but after a few minutes of exercises it seemed to irritate the pinky-side area of my picking hand. I’ve completed the Pickslanting Primer and uploaded a few clips. I included three licks from the Primer, plus a short solo clip to show how I naturally pick when I’m not thinking too much about mechanics. I can alternate pick around 175 bpm, but I’m not trying to become a shredder. My main goal is to find a reliable primary motion that lets me play country / chicken-pickin’ type lines, light rhythm, and general lead parts without irritating my hand. What I’m hoping someone can help me with: Do you see anything in my motion that could be contributing to ulnar-side hand pain? Am I using too much wrist rotation, deviation, finger motion, anchoring, or pick grip tension? Which motion family does my playing seem closest to? What primary motion would you suggest I try instead? Are there any obvious setup changes I should test, such as pick grip, edge picking, wrist position, arm position, or pick depth? How would you recommend I rebuild this without flaring the pain back up? I’m mainly looking for a second opinion on whether my current motion looks mechanically stressful, and what lower-stress alternatives I should try.

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Need helping discovering this picking motion.

This is a very old video of me when I had a fast picking motion and tremolo. I took a hiatus and I completely can do it anymore. I lost it. Don’t even know how to start to do it again or get it back so hopefully identifying it can help me get there. I’ve tried so many picking techniques from pickslanting primer and nothings working. Please help! I have zero picking speed now for tremolo and speedpicking. Feel embarrassed lol

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JJjbeck84
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Translating DSX Trailing Edge Picking into Leading Edge

I’ve been a leading edge player since I first started playing and the fastest I ever got with it was about 170bpm where the hand kind cramps up. But about 4 months ago I discovered that the fastest motion I can do is the trailing edge at about 200bpm, although I don’t find it nearly as comfortable as leading edge. So I wanna translate my trailing edge speed into leading edge.

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primary motion and scale

Hi, I’m back again. This time, I’d like to start with my primary motion and build my picking technique up step by step. Based on the courses here, I’ve mapped out a learning path for myself. Since I’ve noticed that the escape of my faster picking motion seems to be more DSX-oriented, I’d like to keep exploring it through the Pickslanting Primer and see whether this motion is actually usable long-term — ideally, whether I can sustain 16th notes at 180 BPM or above for at least around 20 seconds. If the motion turns out to be viable, I’d then like to use Synchronicity to work on my single-string playing and develop better synchronization between the two hands. At the same time, I also want to build technique through actual music rather than just isolated exercises, so I think working through the material in Metronomic Rock DSX alongside Synchronicity could be a good fit. So my eventual goal would be to get to the point where I can play the two pieces in Metronomic Rock DSX really well. I know this will take time, and that it involves several different things: single-string picking, string changes, and synchronization between the two hands. So I think I need to tackle these things one at a time. For this thread, I’d like to focus first on finding a motion that works for me at high speed. I’ve attached a video. I did the tabletop test, and then on the guitar I played tremolo as fast as I possibly could, without worrying about the metronome or the quality of the notes. Toward the end of the tremolo attempts, my arm and shoulder did feel a little sore, but this is about as fast as I can currently play. I have a few questions: 1.Are these tests useful for figuring out what motion I’m using? 2.Can I treat this as my primary motion and start building from it? 3.I’m also not sure how playing this rough and uncontrolled is supposed to develop into tremolo picking with good timing and consistent note quality. How do you normally get from one to the other? 4.And is the technique I’m using here the kind of motion that should be sustainable at 180 BPM for, umm, at least 20–30 seconds? I understand that the motion may be completely different at different speeds. Once I’ve found a motion that works at high speed, how should I transfer or adapt it to slower speeds? I’m asking because tremolo at around 120 BPM as 16th notes actually feels relatively comfortable to me, but at around 60–80 BPM my picking hand feels very awkward, and I have trouble staying consistently locked to the beat. Thanks so much for your help. I’d really appreciate any feedback.

Player
Ssiro.wu
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Mixed Escapes (Hard Mode)

Hey all - Thanks to previous TCs, my mixed escape/two-way pickslanting is pretty decent. I was recently very inspired by the interview with Dimitri Miles Baker and wanted to work on phrases where you have to do multiple inside picking escapes. See Dimitri Escapes vid. my biggest problem is, once i hit that last note on the higher-pitched string, my wrist refuses to simply move left to hit the lower-pitched string without it feeling like big, conscious effort is involved. it’s like some invisible force is pushing back on it. and when i do hit that string, the pickstroke feels unnaturally short with delayed timing and that i have to get back to the higher-pitched string asap. and on the low e, forget about it, it’s like my wrist is pretending to hit the string and it feels v awkward. the rest of the lick feels easy. see “regular sixes” as this isn’t much of a problem with normal 3NPS scales. that “regular sixes” lick is much more natural though. just one escape in the middle of the beat. based on my review of the Synchronicity seminar, I’m wondering if there’s a chunking issue here, as the escape in the Miles-type lick is in a pretty random part of the sextuplet. this is at a measly 80bpm too! it’s not the tightest against the click because i feel like there’s a hiccup or glitch when moving left. like zoolander, i can’t turn (my wrist) left! what am i missing? thanks all! UPDATE: If I just play 10-9-7-9-7 on the high e and then 10 on the B, it’s super easy and i can play it cleanly quite fast. but if i know i have to go back to the high e, then hitting that 10 fret on the b string all of a sudden turns into the “can’t turn left” problem….

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Legato, picking only and both

Troy Three videos as requested (I think). The TC related to this was closed so here’s a new one I have a hard time with the legato only piece, but I think I’m improving with both hands synchronization.

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MMiFKap
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Need help with LEFT HAND POTENTIAL

So, I am quite new to the shredding stuff. I find 115-120 bpm area gives me trouble - which seems far from the demonstrations of lines on ctc, which I’d like to reach myself someday I know I can tremolo pick way faster, so that’s not my concern. My concern is the left hand. How can I test its potential? I am afraid of being stuck at low tempo due to left hand problems My hope for this critique is to give me confidence in my left hand and understand how it develops into faster tempos.

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TTurasaz
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